Was the man who crucified Jesus a tyrant, an anti-Semite or just a guy trying to do his job? Helen Bond portrays him more sympathetically than most.
by James A. Bacon

Pontius Pilate has gotten uncommonly bad press over the past half century. Some interpreters of the historic record have described the Roman governor as a murderous anti-Semite bent upon crushing the Jews. Others have dubbed him the agent of Roman imperialism: brutal, callous and determined to uphold an oppressive social and political order. The scholars who regard him as a tough but competent administrator, doing his best to govern a willful and independent people, remain a distinct minority.
Given the intense interest in the Historical Jesus and Pilate’s role in the trial of Jesus, Helen K. Bond’s treatise on Pilate, published in 1998, seems long overdue. “Pontius Pilate in History and Interpretation” is the first book-length treatment of Pilate in English. Bond, a lecturer at the University of Edinburgh, strips away the polemic of the ancient sources and exposes the flaws of modern conjecture to reach the historical Pontius Pilate. The resulting portrait, Bond concedes, is a tad bland. Pilate did not plot with Sejanus to exterminate the Jews. He was not especially brutal, at least if judged by the standards of his own time rather than our own. Although he made mistakes early in his tenure as governor, he later made an effort to accommodate Jewish religious sensitivities. Unfortunately, she argues, there is little we can reliably glean from the Gospels about Pilate’s actions during Jesus’ trial.
Those readers craving a Rembrandt-like rendering of Pilate may find her minimalist sketch unsatisfying. Bond makes no apologies: She’s a historian, not a storyteller. She found it necessary to correct the uncritical use of Philo and Josephus whose negative portrayals of the Roman governor, though colorful, were thoroughly biased. “Everything Philo said was absolutely truthful and everything the evangelists said was geared to theology — I came across this assumption time and time again,” she says. “People were ultra-critical of the evangelists, but they would read an extremely tendentious passage in Philo and say, ‘Ooooh, there you go, Pilate was a bit naughty, wasn’t he?’”
Her other significant contribution in Pontius Pilate was rethinking how the Gospels – Mark and John in particular – intended to depict Pilate. Scholars often perceive in the passion narratives a weak and vacillating governor who bargained, even pleaded, with the Temple priests to spare the life of Jesus. But Bond reads the accounts of Jesus’ trial differently. Mark, she says, was describing a shrewd and manipulative official who maneuvered the Jewish crowd into demanding Jesus’ crucifixion – displacing the blame for ordering the execution of a popular figure from himself to the people themselves. Likewise, John’s Pilate used the trial of Jesus to extract a vow of loyalty from the Temple priests to the Roman Emperor. Though closer to what the evangelists meant to convey to their readers, Bond notes, these interpretations aren’t necessarily accurate descriptions of what actually happened.
The image of Pilate has evolved through the years as each generation and nationality reinterpreted New Testament characters in light of its own experience. Early 20th-century British scholars, Bond observes, tended to regard Pilate as a colonial governor with a handlebar moustache — “a decent chap trying to deal with the natives.”
Then in 1948, E. Stauffer wrote a book, “Christus und die Caesaren,” that has defined the debate over Pontius Pilate ever since. Recoiling from the horror of Nazism, the German scholar depicted Pilate as an appointee of Sejanus, the prefect of the Praetorian Guard. As executor in Judea of Sejanus’ anti-Semitic program, Stauffer’s Pilate tried to provoke the Jews into a rebellion that would provide the justification to annihilate them. Sejanus’ execution in 31 C.E., however, left Pilate dangling with no political support in Rome. Two years later, the governor found himself in a confrontation with the high priests over the fate of Jesus of Nazareth. The indecisive behavior described by the Gospels, Stauffer contended, reflected Pilate’s precarious political situation.
Although subsequent scholars have downplayed the idea that Pilate intended to exterminate the Jews, important elements of Stauffer’s “Provocative Pilate” hypothesis have gained widespread acceptance. Drawing upon the ancient testimony of Flavius Josephus and Philo of Alexandria, more recent scholars have treated the governor as an agent of Roman imperialism. They characterize him as indifferent to the religious sensibilities of the Jews and brutal in suppressing their dissent. For those entranced with the idea of a Jesus leading a social protest movement, the imperialist Pilate makes the perfect foil.
Not everyone accepted the Provocative Pilate Pilate caricature, however. In 1981, J.P. Lemonon questioned the influence of Sejanus over Pilate in his book “Pilate et le gouvernement de la Judee,” in which he attributed Pilate’s conflicts with the Jews to political miscalculations rather than deliberate provocations.
Other scholars have emphasized that conflict was intrinsic to the relationship between the domineering Romans and independent-minded Jews, regardless of the particular governor in power.
Debate over Pilate centers on four interwoven controversies:
- Sejanus. Did Pilate owe his appointment as governor Judea to Sejanus, the head of the Praetorian Guard? Did the downfall of Sejanus in 30-31 C.E. weaken Pilate in his dealings with the Jews, or were events in Rome extraneous to the situation in Judea?
- Provocations. Josephus and Philo describe four main confrontations between Pilate and his subjects: displaying the emperor’s effigy in Jerusalem, funding the aqueduct with Temple funds, erecting the votive shields to honor Tiberius, and quashing the Samaritan messiah. Did Pilate deliberately goad his subjects in these incidents, possibly as part of an anti-Semitic program orchestrated by Sejanus in Rome? Or did Pilate act out of ignorance or political miscalculation?
- Brutality. Was Pilate excessively heavy-handed in his dealings with the Jews and Samaritans? Or did he, in fact, employ violence judiciously and with restraint?
- Trial of Jesus. Should we interpret the behavior of Pilate during the trial of Jesus as dealing from a position of political strength or weakness?
Bond rejects Stauffer’s notion that Sejanus and Pilate engaged in an anti-Semitic program, and she sees no connection between Sejanus’ execution and Pilate’s behavior during Jesus’ trial. She finds no contradiction between the governor portrayed by Philo and Josephus on the one hand and the gospels on the other: Pilate governor comes across as a strong ruler who does not shrink from violence yet applies it judiciously.
Lastly, Bond finds the portrayal of Pilate in the Gospels to be unconvincing. The Gospel narratives are too contradictory and theologically tainted, she says, to trust as accurate accounts of what transpired. But she doesn’t adopt the radical skepticism of Dominic Crossan and others who suggest that the Gospel authors fabricated everything. Jesus’ disciples, she says, “would have known certain basic facts: that he was arrested, taken to the High Priest’s House, taken to the governor, then crucified.” The disciples might have hidden themselves after his arrest, but others in Jerusalem would have taken an interest in Jesus’ fate. “As soon as he was arrested, you’d think people would immediately start making inquiries,” she says. “They didn’t know for sure that he’d be crucified. … Maybe it’s because I’m a nosy person, but if I were there, I would have wanted to know what happened.”
* * *
Helen Bond has evinced a curiosity about Jesus since she was a teenager. She’d heard the Sunday-school stories growing up in a village near Durham, but it was exposure to the Synoptic Problem at a Catholic convent school that whetted her interest. At the age of 15, she found the puzzle of deducing the relationship between the Synoptic gospels — Mark, Matthew and Luke — to be a gripping intellectual exercise. “It was fascinating that two of the Gospel writers had copied from another,” she says. “You could almost see Matthew working with Mark and see what he’d done with it.”
Her mother, a teacher, took great interest in her religious instruction and would tell her, “Well, we don’t believe that.” Hearing one thing from her teachers and another from her parents, Bond learned to be skeptical of received religious wisdom. Today, she believes very strongly in God but she doesn’t go to church – and she’s still trying to decide how Jesus fits into the picture.
After graduating from secondary school, Bond enrolled in St. Andrews, a small university north of Edinburgh with a good reputation in theology and Biblical studies. The environment suited her well: not too conservative, not too radical but intellectually stimulating. Her studies there fed her interest in the New Testament world. “The more you know, the more questions you have,” she explains. “I really enjoyed studying for the exams. When it was all over, there was a big gap in my life. I knew quite a lot, but there was so much I didn’t know about. I couldn’t bear the thought of not learning more.”
Her next stop was the University of Durham, not far from home. She entered the PhD. Program under the guidance of J.D.G. Dunn, an expert in Pauline studies. Jimmy Dunn was a brilliant supervisor and very enthusiastic, Bond recalls. “After an hour or so with him, I came out thinking I could climb mountains, write six theses.” In an exchange program, she also spent a year at the University of Tubingen, where she studied under Martin Hengel. “He has a phenomenal knowledge of the whole 1st century – all of the ancient literature at his fingertips.”
In graduate school, Bond shifted her focus from the Synoptic Problem to the trial of Jesus. Although she had a “moderate” view of the historicity of the Gospels, she says, she questioned whether there was much historical material in the trial narratives. She became consumed by a desire to know more about the events leading up to Jesus’ death. In particular, who were the men – Pilate and Caiaphas – who decided upon his execution? Dunn steered her dissertation research towards Pilate. Other than Lemonon’s book, in French, no one had written a monograph on the Roman governor. The research she conducted for her thesis became the basis for “Pontius Pilate in History and Interpretation.”
Still enthralled with the subject, Bond made New Testament studies her career. Earning her doctorate in 1994, she taught briefly at a theological school in Manchester and then moved back north to the University of Aberdeen in Scotland.
At the Kings College divinity school at Aberdeen, Bond worked with Francesca Murphy, a reader in systematic theology. As the only two female scholars in the school, they became great friends. Murphy recalls Bond as “very sporty,” with an interest in tennis and running, but most of all as unpretentious and down to earth. “She is extremely warm, very loyal,” Murphy says. “She sticks by you when times are bad as well as when they are good.”
Although she’s English, Bond feels quite at home in Scotland. “I’m a northerner,” she declares. “I don’t want to move back south.” Part of that sentiment may be due to the fact that she married a Scotsman, whom she met at a Burns Night supper. (For those unfamiliar with this peculiar institution, the Scotch gather every Jan. 25th to eat haggis,[1] turnips and potatoes, usually to the accompaniment of a bagpipe. Says Bond: “You say grace, toast the haggis – preferably in a broad Scotch dialect – and drink a lot of whisky.”)
Last year Bond took a job as a lecturer at the New College, University of Edinburgh. Her husband Keith works in Glasgow, and they live halfway between in Falkirk. Having completed her book on Pilate, she’s researching Joseph Caiaphas, the high priest of the Jerusalem Temple and accomplice of Pilate in the crucifixion of Jesus.
* * *
In his work The Embassy to Gaius, Philo of Alexandria composed a graphic character sketch that has colored the reconstruction of the historical Pontius Pilate. While governor of Judea, Pilate dedicated gilded shields to the honor of the Emperor Tiberius and set them up in the old palace of Herod the Great, where he maintained his Jerusalem residence. Taking offense at the inscription, which probably referred to Tiberius as the “divine Augustus,” the Jews assembled a delegation of leading citizens to ask Pilate to remove the shields.
Pilate refused, wrote Philo, describing him as “a man of inflexible, stubborn and cruel disposition.” When the Jews threatened to appeal the case to the emperor himself, according to Philo, the governor feared that they would publicize “his venality, his violence, his thefts, his assaults, his abusive behavior, his frequent executions of untried prisoners, and his endless savage ferocity.” Unable to resolve their differences with Pilate, the Jews wrote a letter to Tiberius. The Emperor responded by rebuking the governor and ordering him to move the shields to Caesarea.
Although she regards the incident with the votive shields as historical, Bond finds little value in Philo’s description of Pilate. Philo probably composed “The Embassy to Gaius” early in the reign of Gaius’ successor, Claudius, with the aim of persuading the new emperor to follow the pro-Jewish policies of Gaius’ predecessor, Tiberius. Philo’s rhetorical strategy, Bond observes, was to praise Emperor Tiberius for his enlightened attitude toward the Jews by contrasting him to the depravity of the local official responsible for the incident. To denigrate Pilate, Philo trotted out a series of stereotypical adjectives and misdeeds, every one of which he had used elsewhere in his historical writings. “Philo’s description of Pilate is not a personalized attack but a patchwork of set words and expressions regularly used by this writer to describe the enemies of the Jews.” [2]
Flavius Josephus also wrote confrontations between Pilate and his subjects over the emperor’s effigy, the aqueduct funds and the massacre of the Samaritans. He addresses these incidents quite differently in separate works, “The Jewish War” and “The Antiquities of the Jews.” Josephus says little about Pilate’s motives in War, preferring to focus on the reaction of the Jews. In Bond’s analysis, his objective in this earlier work, written shortly after the revolt against Rome and the destruction of the Temple in 70 C.E., was to demonstrate that resisting the Romans with force was futile while respectful appeals to authority could succeed.
When writing Antiquities years later, Josephus had quite a different goal, Bond says: He wanted to show that anyone who transgressed Jewish law — God’s law — eventually suffered God’s retribution. Consequently, he attributed to Pilate the motive of “subverting Jewish practices” when he dispatched a cohort of soldiers to Jerusalem bearing the image of the emperor upon their legion’s standards. Thus Josephus reinforces the impression created by Philo that Pilate acted in a deliberate and provocative manner.
But Bond sees the incident as a rookie mistake. Having just arrived in the province, Pilate did not appreciate the Jewish abhorrence of graven images. Every Roman squadron in the Empire carried its own sacred standards, which helped define and maintain the unit’s identity. Out of practical military considerations, she suggests, Pilate probably ordered a changing of the guard in Jerusalem. He dispatched a cohort from Caesarea to Jerusalem without a thought that its standards, bearing the image of the emperor, would cause offense. Unaware that he was about to precipitate a crisis, he remained in Caesarea.
The rest of the story is well known to readers of Josephus, and Bond accepts it largely as written. A throng of Jews promptly descended upon Caesarea in protest. Pilate refused to yield. After six days of demonstrations, he surrounded the crowd with soldiers and threatened them with death, but the Jews threw themselves prostrate to the ground and said they would accept death rather than see their laws violated. Upon this display of devotion, Pilate relented. It is worth noting that, although Pilate meant to intimidate the Jews with the prospect of violence, he spilled no blood that day. “Pilate puts law and order in the province above personal pride,” writes Bond. “He shows enough flexibility to rescind his orders and replace the troops.”[3]
A third confrontation arose from a dispute over the use of Temple funds to finance construction of an aqueduct to Jerusalem. Josephus is vague about how the disagreement originated; there seems not to have been a specific incident that triggered the tumult. As Bond reconstructs events, the Jews had precedents for dipping into the Temple treasury to meet the needs of the surrounding city, so the priests acquiesced in providing Pilate the funds to augment Jerusalem’s water supply. However, the construction project encountered cost overruns, Bond suggests, and Pilate continued to make demands from the Temple treasurers for payment. The priests objected and the dispute escalated. According to Josephus, “tens of thousands” of Jews assembled in Jerusalem to protest his designs. Pilate ordered his soldiers to dress in Jewish garments and conceal staffs under their robes. Upon his signal, they set upon the crowd to disperse it. The crowd-control strategem went awry, however: The soldiers “inflicted much harder blows than Pilate had ordered, punishing both those who were rioting and those who were not,” Josephus says.
Bond grants that Pilate might have fueled the controversy by dealing with the Temple authorities in an “overbearing, demanding manner.”[4] But he can hardly be faulted for having attempted to address the municipal needs of Jerusalem, and there is no suggestion that he precipitated the crisis deliberately. Although deaths ensued from excessive force applied by the soldiers, Pilate clearly had hoped to minimize bloodshed by equipping his soldiers with staves rather than swords.
In the fourth confrontation, a would-be messiah assembled a crowd at Mount Gerizim, the holy mountain of the Samaritans, saying he would show them the sacred vessels that Moses had buried there. Many in the crowd were armed, creating legitimate concerns among the Romans that the messianic excitement might turn into an insurrection. Pilate dispatched a detachment of cavalry and infantry to block the mob’s path up the mountain. A pitched battle ensued. Putting the multitude to flight, the Romans took many prisoners and executed the ringleaders.
Bond regards Pilate’s acts as fully justified, at least from the Roman point of view. The governor would have been remiss in his duties had he allowed the Samaritans’ messianic fervor to escalate into a full-scale revolt. Rather than crushing the crowd and arresting its leaders, Pilate chose simply to block their path up the mountain. Although Josephus does not say so explicitly, it was the Samaritans who apparently resorted to arms. In dispersing the mob and executing its leaders, Bond notes, “He was well within his rights as provincial governor to judge and execute anyone threatening the stability of the province.”[5]
Bond concludes her analysis of Josephus as follows: “The historical reconstructions of the events behind Josephus’ stories … show a governor intent on inaugurating his government with a firm hand, reluctant to take any nonsense from the people he is to govern. Yet at the same time he can show flexibility and an ability to stand down in the interests of preserving peace. … Faced with potentially difficult political events … Pilate appears to fulfill his duty of effectively maintaining Roman order in the province without recourse to undue aggression.”[6]
* * *
Each of the four Gospels treat Jesus’ hearing before Pontius Pilate in its own way, but all follow the template established by Mark: The Temple priests brought Jesus to Pilate and accused him of various charges; Pilate questioned Jesus but found no grounds to execute him; the governor offered to release Jesus in his annual act of clemency at the feast of the Passover, but the multitude chose Barabbas instead; Pilate then handed Jesus over to be scourged then crucified.
“The majority of scholars regard the Pilate of Mark’s gospel as a weakling, convinced of Jesus’ innocence, vainly engaging in successive attempts to release him but forced to go along with the wishes of the chief priests and the crowd,” writes Bond in summarizing the Provocative Pilate school of thought. Contrasting Mark’s weak Pilate to the domineering and brutal Pilate described by Philo and Josephus, these scholars either find the Gospel portrayal totally out of character, hence unhistorical, or seek some explanation for Pilate’s weakness, such as the execution of his patron, Sejanus, back in Rome.
Without trying to defend the historicity of Mark, Bond takes issue with such thinking: She sees no sign of weakness at all. Rather, she believes that Mark intended to portray Pilate as shrewd and calculating. “Far from being a tool in the hands of the chief priests and crowd in these verses, Pilate is very much in control,”[7] she writes.
Mark’s Pilate perceives that the priests were handing over Jesus out of “envy” of his popularity. Yet he also regards Jesus as a potential threat to law and order. His dilemma, as Bond describes it, is to avoid a heavy-handed approach that could provoke rioting later. His solution is to swap roles by offering to release Jesus as his annual act of clemency and letting the people judge his fate. Rather than ordering Jesus crucified himself, Pilate skillfully converts the hearing into a popularity contest between Jesus and Barabbas. But in making the offer, he stacks the deck against Jesus by referring to him as the “King of the Jews.” In effect, he challenges the crowd to accept or deny Jesus as their king. Says Bond: “The people are cornered; they know what penalty Rome inflicts on political agitators and they accordingly cry out for the crucifixion of Jesus.”[8]
Bond concludes: “The Roman governor is now in a strong position: as a messianic claimant, Jesus had to be eliminated. The people could hardly riot over someone whose death they had demanded. … Pilate is satisfying the demands of the crowd, but these are demands which he has engineered and which suit his own purposes.”[9]
Matthew’s narrative of the trial differs from Mark’s mainly in its emphasis on assigning responsibility. Each actor – most visibly Pilate in the famous scene in which he washes his hands – attempts to evade guilt for the decision to crucify Jesus. Luke, Bond notes, emphasizes Jewish culpability. Of the four Gospels, Luke portrays Pilate as the weakest: He comes across more as Jesus’ advocate — an ineffectual one, admittedly — than his judge. Pilate’s decision after proclaiming Jesus innocent to let Herod Antipas judge him seems particularly spineless.
The Gospel of John offers the longest, most detailed account of the trial before Pilate, offering details lacking in the others. John mentions the location of the trial — inside the praetorium — the reluctance of the priests for purity reasons to enter the judgment hall, and the necessity of Pilate to shuttle between Jesus inside and the priests outside. Commentators have tended to see weakness in Pilate’s running back and forth in a vain attempt to release Jesus. But Bond interprets John’s Pilate as a strong character goading the Jews into rejecting their nationalist aspirations. In the climactic scene, he asks, “Shall I crucify your King?” And the chief priests answered, “We have no king but Caesar.”[10]
Pilate serves John’s apologetic purpose by declaring Jesus’ innocence three times, but John leaves no doubt that he is arrayed with the forces hostile to Jesus. The machiavellian magistrate does not aim to free Jesus but uses him as a pawn in his dealings with the priests. As Bond concludes, John’s Pilate exacts a high price for agreeing to Jesus’ crucifixion: “[The Jews] must not only renounce their messianic hopes but unconditionally accept the sovereignty of Caesar.”[11]
Concluding her survey of the Gospels, Bond finds agreement over basic facts: that Jesus was arrested, that Jesus had some kind of hearing before the priests, that the priests took Jesus before Pilate, and that Pilate ordered Jesus’ crucifixion. She accepts these events as historical. The authenticity of the Barabbas episode is impossible to determine, as are the specific exchanges between Pilate, Jesus and the priests. “The above reconstruction, though only in its barest outline,” writes Bond, “gives the impression of a competent governor working alongside the Jewish hierarchy in executing a suspected political agitator.”[12]
* * *
When working on Pontius Pilate, Bond wasn’t writing with the Historical Jesus debate in mind. “It was a stand-alone thing,” she says. But as she delved more into the HJ literature, she saw the scope for a similar work on Joseph Caiaphas. The high priest is even more of a cipher than Pilate – the ancient sources say very little about him—but she hopes to supplement the sparse literary references with archaeological evidence. Caiaphas’ tomb was discovered in 1991, and some believe that that his house in Jerusalem – the “palace of the high priest” in the gospels — has been uncovered.
Bond remains fascinated by the trial of Jesus, especially the role of the Jews. People ask who was responsible for killing Jesus – Pilate or “the Jews,” as if the Jews were a monolithic force. “Why,” she wonders, “don’t we ask if it was Pilate or Caiaphas?” As she analyzed the gospels, it struck her that the Gospel of Mark never mentions Caiaphas by name: Mark blames the entire Jewish leadership. Many scholars have argued that Mark was trying to absolve the Romans of blame for crucifying Jesus as a way of distancing his Rome-based community from the Jews, whose homeland was in revolt between 66 and 70 C.E. But Bond suspects that Mark was writing for an internal audience, not Roman officialdom, and may have been reacting to disputes between early Christians and the Jews in the synagogue.
Her approach to writing about Caiaphas will follow that of Pontius Pilate: She will analyze how each Gospel characterizes the high priest in light of its apologetic and theological motifs. Also, she will situate Caiaphas in his historical context, as the head of an immensely rich and powerful priesthood functioning in a complex relationship with Roman authority.
Contemporary scholars have treated Caiaphas almost as shabbily as Pilate, often describing him as a Roman toady clinging to power by cooperating in the suppression of his people. Bond’s view will be more sympathetic. “I tend to see people in the best possible terms,” she says. “Just because he’s an aristocrat and living in a swanky mansion in the upper city doesn’t mean he doesn’t have the best interests of the people at heart.”
[1] Haggis, for the uninitiated, is made from the lungs, heart and internal organs of a sheep or calf, mixed with suet, oatmeal, and boiled in the animal’s stomach. You can now order haggis online and have it delivered directly to your door! Visit http://www.scottish-haggis.com/.
[2] Bond, Helen K.; Pontius Pilate in History and Interpretation; Cambridge University Press; 1998; p. 32.
[3] Pontius Pilate; p. 85
[4] Pontius Pilate; p. 89
[5] Pontius Pilate; p. 91
[6] Pontius Pilate; p. 91
[7] Pontius Pilate; p. 111
[8] Pontius Pilate; p. 115.
[9] Pontius Pilate; p. 116. Bond’s reinterpretation is not without its problems. While Pilate’s political considerations seem plausible when she lays them out as she does, they would have been less evident to readers of Mark’s Gospel. She supplies political context that readers may not necessarily have assumed 30 to 40 years after the event. Furthermore, she overlooks a crucial phrase in which Mark addresses Pilate’s motivation explicitly: “And so Pilate, willing to content the people, released Barabbas to them.” This implies that Pilate was appeasing the crowd, not manipulating it.
[10] John 19:15.
[11] Pontius Pilate; p. 193. One difficulty with Bond’s interpretation is that she does not address the priests’ charge, “If thou let this man go, thou are not Caesar’s friend: Whosoever maketh himself a king speaketh against Caesar” (John 19: 12). In light of the incident involving the votive shields, which occurred only a year or two previously, the priests appear to be making a veiled threat to complain to Tiberius if Pilate ruled against them. Having earned one rebuke from the emperor, one could argue, Pilate could ill afford another, especially now that his patron Sejanus was dead and his associates were being executed.
Bond quite rightly rejects Stauffer’s theory that Sejanus and Pilate were motivated by anti-Semitism. But in scorning that theory, she dispenses with Sejanus as a factor in Palestinian politics altogether. That may not be justified. Pilate assumed the governorship of Judea in 26 C.E., replacing a governor who had served without incident for 10 years. That same year, Tiberius retired to Capri and Sejanus assumed the powers of emperor in all but name. The conclusion seems unavoidable that Sejanus appointed Pilate to the post. If we accept this proposition, we can deduce that Pilate, after the execution of Sejanus and purge of his associates in 31 C.E., was dealing with the priests from a position of tremendous vulnerability.